Fright Night Horror

James Moran (born 5 March 1972) is a British screenwriter for television and film, who wrote the horror-comedy Severance. He works in the horror, comedy, science-fiction, historical fiction and spy thriller genres. “Who the hell wouldn’t want to see Alan Ford smashing Zombies to bits?” Ahead of the Horror Channel’s network premiere of COCKNEYS VS ZOMBIES on Friday 4 November, 9pm, writer and self-confessed genre junkie James Moran  reflects on the making of the film, writing a new Zombie script and why the original Dawn of the Dead is his favourite Zombie film. Q: What movie did you see growing that inspired you to become a writer? JAMES: It all started with Doctor Who, which I've been watching since before I can remember - I used to sit and watch the entire end credits to see what all the names and jobs were, and made up my own stories to fit into the show. Later, I watched a lot of "making of" shows, that explained how the effects were done, the stunts, sho...

James Moran (born 5 March 1972) is a British screenwriter for television and film, who wrote the horror-comedy Severance. He works in the horror, comedy, science-fiction, historical fiction and spy thriller genres. “Who the hell wouldn’t want to see Alan Ford smashing Zombies to bits?” Ahead of the Horror Channel’s network premiere of COCKNEYS VS ZOMBIES on Friday 4 November, 9pm, writer and self-confessed genre junkie James Moran  reflects on the making of the film, writing a new Zombie script and why the original Dawn of the Dead is his favourite Zombie film. Q: What movie did you see growing that inspired you to become a writer? JAMES: It all started with Doctor Who, which I've been watching since before I can remember - I used to sit and watch the entire end credits to see what all the names and jobs were, and made up my own stories to fit into the show. Later, I watched a lot of "making of" shows, that explained how the effects were done, the stunts, showed the direc...

James Moran (born 5 March 1972) is a British screenwriter for television and film, who wrote the horror-comedy Severance. He works in the horror, comedy, science-fiction, historical fiction and spy thriller genres. “Who the hell wouldn’t want to see Alan Ford smashing Zombies to bits?” Ahead of the Horror Channel’s network premiere of COCKNEYS VS ZOMBIES on Friday 4 November, 9pm, writer and self-confessed genre junkie James Moran  reflects on the making of the film, writing a new Zombie script and why the original Dawn of the Dead is his favourite Zombie film. Q: What movie did you see growing that inspired you to become a writer? JAMES: It all started with Doctor Who, which I've been watching since before I can remember - I used to sit and watch the entire end credits to see what all the names and jobs were, and made up my own stories to fit into the show. Later, I watched a lot of "making of" shows, that explained how the effects were done, the stunts, sho...

James Moran (born 5 March 1972) is a British screenwriter for television and film, who wrote the horror-comedy Severance. He works in the horror, comedy, science-fiction, historical fiction and spy thriller genres. “Who the hell wouldn’t want to see Alan Ford smashing Zombies to bits?” Ahead of the Horror Channel’s network premiere of COCKNEYS VS ZOMBIES on Friday 4 November, 9pm, writer and self-confessed genre junkie James Moran  reflects on the making of the film, writing a new Zombie script and why the original Dawn of the Dead is his favourite Zombie film. Q: What movie did you see growing that inspired you to become a writer? JAMES: It all started with Doctor Who, which I've been watching since before I can remember - I used to sit and watch the entire end credits to see what all the names and jobs were, and made up my own stories to fit into the show. Later, I watched a lot of "making of" shows, that explained how the effects were done, the stunts, showed the direc...

When architect-turned-vigilante Paul Kersey (Charles Bronson) returns to New York City, he discovers that one of his friends has been murdered by gang members. After the cops bring Paul in for questioning, he receives a tempting offer from the police chief (Ed Lauter) : Paul can have free rein to eliminate the gangsters, as long as the police get the credit. Paul agrees and goes to war against Manny Fraker (Gavan O'Herlihy) and his vicious gang of thugs.

When architect-turned-vigilante Paul Kersey (Charles Bronson) returns to New York City, he discovers that one of his friends has been murdered by gang members. After the cops bring Paul in for questioning, he receives a tempting offer from the police chief (Ed Lauter) : Paul can have free rein to eliminate the gangsters, as long as the police get the credit. Paul agrees and goes to war against Manny Fraker (Gavan O'Herlihy) and his vicious gang of thugs.

When architect-turned-vigilante Paul Kersey (Charles Bronson) returns to New York City, he discovers that one of his friends has been murdered by gang members. After the cops bring Paul in for questioning, he receives a tempting offer from the police chief (Ed Lauter) : Paul can have free rein to eliminate the gangsters, as long as the police get the credit. Paul agrees and goes to war against Manny Fraker (Gavan O'Herlihy) and his vicious gang of thugs.