Fright Night Horror

Ahead of the World premiere of the darkly erotic AUTOMATA at Arrow Video FrightFest Glasgow 2019, director Lawrie Brewster tells us about his record-breaking Kickstarter campaign, the growth of Hex Studios and his fascination with creepy dolls. AUTOMATA has earned its place in Kickstarter history as the UK’s most funded narrative film ever. Why do you think that happened? The reason this happened is because there is a disconnect between a swathe of the audience, in our case a genre audience, and commercial distributors. Because commercial distributors and broadcasters for that matter, are so adept and so accustomed to selling a type of predictable product, that a form of repetition occurs whereby films that might not fit the mould, are simply not sold, and hence not usually produced. With Automata, and with all of our films at Hex Studios, we utilise that underserved niche, to produce unique genre films, which would be considered both unpredictable and even risky. Despite the f...

Ahead of the World premiere of the darkly erotic AUTOMATA at Arrow Video FrightFest Glasgow 2019, director Lawrie Brewster tells us about his record-breaking Kickstarter campaign, the growth of Hex Studios and his fascination with creepy dolls. AUTOMATA has earned its place in Kickstarter history as the UK’s most funded narrative film ever. Why do you think that happened? The reason this happened is because there is a disconnect between a swathe of the audience, in our case a genre audience, and commercial distributors. Because commercial distributors and broadcasters for that matter, are so adept and so accustomed to selling a type of predictable product, that a form of repetition occurs whereby films that might not fit the mould, are simply not sold, and hence not usually produced. With Automata, and with all of our films at Hex Studios, we utilise that underserved niche, to produce unique genre films, which would be considered both unpredictable and even risky. Despite the f...

Ahead of the World premiere of the darkly erotic AUTOMATA at Arrow Video FrightFest Glasgow 2019, director Lawrie Brewster tells us about his record-breaking Kickstarter campaign, the growth of Hex Studios and his fascination with creepy dolls. AUTOMATA has earned its place in Kickstarter history as the UK’s most funded narrative film ever. Why do you think that happened? The reason this happened is because there is a disconnect between a swathe of the audience, in our case a genre audience, and commercial distributors. Because commercial distributors and broadcasters for that matter, are so adept and so accustomed to selling a type of predictable product, that a form of repetition occurs whereby films that might not fit the mould, are simply not sold, and hence not usually produced. With Automata, and with all of our films at Hex Studios, we utilise that underserved niche, to produce unique genre films, which would be considered both unpredictable and even risky. Despite the financial...

Ahead of the World premiere of the darkly erotic AUTOMATA at Arrow Video FrightFest Glasgow 2019, director Lawrie Brewster tells us about his record-breaking Kickstarter campaign, the growth of Hex Studios and his fascination with creepy dolls. AUTOMATA has earned its place in Kickstarter history as the UK’s most funded narrative film ever. Why do you think that happened? The reason this happened is because there is a disconnect between a swathe of the audience, in our case a genre audience, and commercial distributors. Because commercial distributors and broadcasters for that matter, are so adept and so accustomed to selling a type of predictable product, that a form of repetition occurs whereby films that might not fit the mould, are simply not sold, and hence not usually produced. With Automata, and with all of our films at Hex Studios, we utilise that underserved niche, to produce unique genre films, which would be considered both unpredictable and even risky. Despite the financial...