Fright Night Horror

Michael Mulvihill is a long-time contributor to BLACK PETALS e-zine. This includes his issue #61 poems: A Love Story Beautiful, Capitalism’s Modern Architecture of Love, Red Brick, The Securocrats, and Toxic Addiction (+ the poems, Fatigued, O Mother, and Spike-Inverted Hearts for BP #58; “The Cleaner and the Collector” tale & all 6 BP #56 poems; BP #50’s story, “The Soul Scrubber”, and as featured vampire poet with A Vampire’s Dilemma: Love, Becoming a Vampire, Vampire Insomnia, and Vampiric War in The Kodori Valley; BP #49 poems, I, the Vampire, The Reluctant Vampire of Tbilisi, Vampire Observations, and Vampire Psychoanalysis). The 30ish author published a short story, “Ethagoria Nebsonia,” in BP in 1998 and had a poem, “The Bombing,” in The Kingdom News about a domestic tragedy in Ireland. "Siberian Hellhole" (2013) a horror novel, is his first novel to be published by The Wheelman Press. He is also a clinical psychotherapist and hypnotherapist and member of The I.C.H

Michael Mulvihill is a long-time contributor to BLACK PETALS e-zine. This includes his issue #61 poems: A Love Story Beautiful, Capitalism’s Modern Architecture of Love, Red Brick, The Securocrats, and Toxic Addiction (+ the poems, Fatigued, O Mother, and Spike-Inverted Hearts for BP #58; “The Cleaner and the Collector” tale & all 6 BP #56 poems; BP #50’s story, “The Soul Scrubber”, and as featured vampire poet with A Vampire’s Dilemma: Love, Becoming a Vampire, Vampire Insomnia, and Vampiric War in The Kodori Valley; BP #49 poems, I, the Vampire, The Reluctant Vampire of Tbilisi, Vampire Observations, and Vampire Psychoanalysis). The 30ish author published a short story, “Ethagoria Nebsonia,” in BP in 1998 and had a poem, “The Bombing,” in The Kingdom News about a domestic tragedy in Ireland. "Siberian Hellhole" (2013) a horror novel, is his first novel to be published by The Wheelman Press. He is also a clinical psychotherapist and hypnotherapist and member of The I.C.H

AMC released today a First Look photo from "The Walking Dead" Season 4, featuring Andrew Lincoln as Rick Grimes back to work on the set in Atlanta, GA.   Season four of “The Walking Dead” returns to AMC in October of this year. The cast and crew began production on May 6. “The Walking Dead” is based on the comic book series created and written by Robert Kirkman and published by Skybound, Kirkman's imprint at Image Comics. "The Walking Dead" season three out-delivered everything on television including “The Big Bang Theory,” “The Voice,” “Game of Thrones,” “Modern Family,” and almost doubling “The Bible” for the broadcast season for adults 18-49. Photo Credit: Gene Page/AMC

AMC released today a First Look photo from "The Walking Dead" Season 4, featuring Andrew Lincoln as Rick Grimes back to work on the set in Atlanta, GA.   Season four of “The Walking Dead” returns to AMC in October of this year. The cast and crew began production on May 6. “The Walking Dead” is based on the comic book series created and written by Robert Kirkman and published by Skybound, Kirkman's imprint at Image Comics. "The Walking Dead" season three out-delivered everything on television including “The Big Bang Theory,” “The Voice,” “Game of Thrones,” “Modern Family,” and almost doubling “The Bible” for the broadcast season for adults 18-49. Photo Credit: Gene Page/AMC

On the eve of the UK TV premiere of THE DEVIL’S BUSINESS on Horror Channel, Sean Hogan talks about the future of the horror film industry, the importance of a good script and his forthcoming doc on the UK comic 2000AD. THE DEVIL’S BUSINESS is broadcast on Sat May 11, 22:55, Q:  How did The Devil’s Business come together? SH: I’d been waiting a long time for another project to come together, and out of sheer frustration, I had a meeting with my producer Jen Handorf one night and proposed that we made something for very little money, just to get back in the saddle. I’d recently seen Down Terrace and really liked it, and my feeling was that you didn’t need a whole lot of money to make something, just a good script, talented actors and one location. So I sat down and wrote Devil’s Business to be done along those lines. What happened then was, the other project finally happened, but turned out to be a nightmare experience. So once the dust had settled, I really needed to wash the bad taste

On the eve of the UK TV premiere of THE DEVIL’S BUSINESS on Horror Channel, Sean Hogan talks about the future of the horror film industry, the importance of a good script and his forthcoming doc on the UK comic 2000AD. THE DEVIL’S BUSINESS is broadcast on Sat May 11, 22:55, Q:  How did The Devil’s Business come together? SH: I’d been waiting a long time for another project to come together, and out of sheer frustration, I had a meeting with my producer Jen Handorf one night and proposed that we made something for very little money, just to get back in the saddle. I’d recently seen Down Terrace and really liked it, and my feeling was that you didn’t need a whole lot of money to make something, just a good script, talented actors and one location. So I sat down and wrote Devil’s Business to be done along those lines. What happened then was, the other project finally happened, but turned out to be a nightmare experience. So once the dust had settled, I really needed to wash the bad taste